execution: Iznik, 3rd quarter of the 16th century height: 8,5 cm, diameter: 46 cm OR 788
Installation, Twelve Divans
artist: Franz West, 1996 iron, plastic foam, jute, textile height: 92 cm, width: 203 cm, depth: 80 cm GK
194
Rug, fragment, Spiral tendrils and animals
execution: Herat (?) mid 16th century silk, wool; asymmetricl knot height: 181 cm, with: 135 cm OR 311
Jewelry Box, design: Josef Maria Olbrich, Austria 1899
execution: Oscar Dietrich, Ferdinand Spieske, Austria 1900 maple wood, glass, chamois leather, boxwood, silver,
lacquer height: 32 cm, width: 36 cm, depth: 34 cm WI 989
Teapot. Manufacturer: Claudius Innocentius Du Paquier, Vienna, about 1735
porcelain, cast, decortated, painted, glazed length: 19,9 cm, height: 9,4 cm, diameter: 11,7 cm KE 2703-1
Canapé, sofa, design: Joseph Ulrich Danhauser
execution: Danhauser'sche. k. k. privilegierte Möbelfabrik, Vienna 1825 to 1830 (?) cherry wood, softwood, textile height: 93 cm, witdht: 182 cm, depth: 68 cm, seat heigth: 43 cm H 2726
Postcard Nr. 85, „VENI VIDI VICI“
design: Rudolf Kalvach execution: Vienna 1907 lithography height: 14 cm, width: 9 cm WWPK 279-1
Stool, Hundepelzhocker
Design and execution: Michael Brendel, Berlin 2008/2009 wood, brass, dog fur; taxidermy height: 60 cm, diameter:
50 cm H 3458
Garment, Rosette
manufacturer: Münchner Hofwerkstatt, Munich 1570 to 1580 (?) gold, enamel, diamonds in closed setting diameter:
4,2 cm BJ 930-1
Ornamental engraving; Mask, Sheet from „Pourtraicture ingenieuse de plusieurs Facons de Masques. Fort utile aulx painctres,
orseures, Taillieurs de pierres, voirriers et Taillieurs dimages", published by Hans Liefrinck
design: Cornelis Floris, Antwerp 1555; publisher: Hans Liefrinck, Antwerp 1555; engraver: Frans Huys, Antwerp 1555 copper engraving height: 16,1 cm, width: 14,8 cm KI 1902-10
Camera, Lomo SuperSampler
design: Karl Emilio Pircher execution: Wolfgang Stanzinger, Austria 2001 manufacturer: Lomographische AG plastic, paper height: 6,5 cm, width: 10,5 cm, depth: 3 cm DS 18
Chasuble (liturgical vestment)
execution: monastery of Göß, about 1260 linen, silk; woven stitched height: 123 cm, width: 76,5 cm T
6904-1
Table lamp, design: Josef Hoffmann
execution: Konrad Scheidel, 1903 manufacturer: Wiener Werkstätte brass, silk; punched, silvered, applied patina height: 42 cm, diameter: 26 cm GO 2003
Architectural model, BMW-World Munich, Germany
artist: Coop Himmelb(l)au, 2001 to 2007 rigid foam board, Plexiglas / perspex, styrofoam, cardboard, wood, metal height: 60 cm, width: 220 cm, depth: 148 cm GK 571
Box, Prunkkassette, design: Koloman Moser
execution: Adolf Erbrich, Eugen Pflaumer, Karl Ponocny, Therese Trethan, Vienna 1906 manufacturer: Wiener Werkstätte silver, enamel, gemstone, wood lenght: 42,2 cm, height: 23,6 cm, widht: 24,4 cm GO 1397
Miniature, painting, Landhaur, the son of the king of Ceylon, is abducted
in his sleep by a demon, Hamzanama
client/customer: Akar The Great, 1557 to 1577 (?) cotton, paper, calligraphy height: 70 cm, width: 55 cm BI 8770-19
The MAK’s digital collection database has been made available to the public for both private and scientific research purposes.
It is possible to access core data and visual information about 230 000 objects from all areas of the MAK Collection:
Asia, Design, Contemporary Art, Glass and Ceramics, Furniture and Woodwork, Metal and Wiener Werkstätte Archive, Textiles
and Carpets, as well as the MAK Library and Works on Paper Collection. A further 70 000 entries provide additional information
on the artists involved and the executing companies.
At the end of 2012, the MAK was commissioned by the Federal Chancellery with the construction of a central Bilddatenbank/Collection and Museum Management System (C/MMS) of the MAK Collection. The overriding aim was to digitally record and standardize the core data as well as to construct a
central image database with the aid of the specially purchased Collection and Museum Management System by Adlib.
The redesign of the MAK Collection Online was completed in 2016 and offers optimized search functions in addition to an improved
presentation of the artwork. Now it is not only possible to compile and save lists of objects, but also to contact the museum’s
Reproductions Department directly to request permission to reproduce artwork. Another feature of the MAK Collection Online is its multilingualism. The majority of the information about the individual objects is available in English, while the extensively
revised holdings of Japanese color woodcuts can also be accessed in Japanese.
The MAK Collection Online will continue to be expanded and updated. The long-term aim is to make the entire holdings of the
MAK Collection—which can only be displayed in part in the museum itself—available on the World Wide Web.
