For the MAKs 150th anniversary, designer Michael Embacher has given the Permanent Collection Carpets a new spatial concept
that integrates an artistic intervention by Turkish artist Füsun Onur. This new presentation features the carpets of the MAK
Collection as components of an intercultural dialog, as elements of exchange both within Asia and between Asia and Europe.
Collection objects from the Ottoman and Safavid Empires are joined here by a selection of European pieces, and other objects
from the arts-and-crafts sphere interrelate with the carpets from their respective regions of origin, serving to place them
in a multilayered formal context and to underline their historical authenticity.
The MAKs collection of carpets numbers among the three most important such collections worldwide. Its core is formed
by classical output from the 16th and 17th centuries, during which the great Islamic realms of the Ottomans, Safavids, and
Mughals experienced their golden ages. In addition to pieces from the Islamic world, the MAK is also home to a group of high-quality
18th-century carpets from the Savonnerie manufactory in France. Overall highlights include a unique silk Mamluk carpet, a
Safavid hunting carpet, a carpet from Herat ornamented with spiraling tendrils, a figurative Indian piece from the era of
Akbar, the Great, and the Savonnerie carpets of Emperor Josef II. The MAKs collection came together less via systematic
acquisitions and more due to the historically motivated integration of holdings, with each group originally having been compiled
according to an independent set of criteria. The first carpet was purchased for the museum quite early on, in 1868and
by 1922, most of the items that comprise the present-day collection were already united beneath one roof. The most important
ones were former imperial property.
The visualization of the closely interlinked geographic, stylistic, and cultural connections between Europe and both the Middle
East and south-western Asia from the period between the 15th and 18th centuries is a central aspect of the display spaces
curatorial reconception and redesign. In his architectural concept, Michael Embacher juxtaposes carpets of differing origins,
highlighting their plasticity and fragility by using thin steel cables to weave them into his spectacular whole-room installations
outer shell. Thus positioned at various heights, slightly tilted and turned, the individual objects seem to float within the
ARTISTIC INTERVENTION BY FÜSUN ONUR Füsun Onur (*1938, Istanbul) gives rise here to a beguiling interplay between worlds of ideas, cultures, and religion. The
artist has fashioned an ephemeral female angel who floats level with the gallery, presiding over the collected objects as
if sent as an all-uniting or all-questioning sign. In so doing, Onur liberates the figure of the angela protagonist
common to the scriptures of the Tanakh, the Old and New Testaments and the Koranfrom preestablished notions of global
and intellectual territories in a gesture that is both conceptual and poetic. Curator: Bärbel Vischer, Curator, MAK Contemporary Art Collection
Curator Barbara Karl, Curator, MAK Textiles and Carpets Collection Design Michael Embacher Artistic Intervention Füsun Onur
Publication The MAK Permanent Collection Carpets is accompanied by the MAK/GUIDE Carpets, edited by Christoph Thun-Hohenstein and Barbara Karl, texts by Barbara Karl, Edith Oberhumer, Christoph Thun-Hohenstein,
Bärbel Vischer, and Angela Völker, as well as an interview with Michael Embacher, German/English, ca. 192 pages and appr.
100 color illustrations, Vienna / Munich-London-New York: MAK / Prestel Verlag, 2014. Available at the MAK Design Shop for 9,90.
Special guided tours by advance booking: T +43 1 711 36-298,
The holdings of the MAKs collection of textiles, which is one of the foremost textile collections in the world, cover
the time from Late Antiquity until today; they encompass the globe with works from nearly all parts of Asia and Europe, and
even South America. The collection is a comprehensive material archive reflecting the artistic, technical, and economic developments
of this special field throughout the last 1,500 years. This richness of the material archive gives it a unique capability
of illustrating the multifaceted, international cultural interconnections that have developed over the centuries.