Dorota Jurczak, Bronski, 2023, Courtesy of the artist and KIN, Brussels © Useful Art Services
MAK Exhibition View, 2023 HARD/SOFT: Textiles and Ceramics in Contemporary Art © MAK/Georg Mayer
MAK Exhibition View, 2023 HARD/SOFT. Textiles and Ceramics in Contemporary Art © MAK/Georg Mayer
HARD/SOFT: Textiles and Ceramics in Contemporary Art in the front: Ann Muller, Die fleißigen Totengräberinnen und ihr Werkzeug [The Hardworking Female Gravediggers and Their Tools], 2020/2023; Die fleißige Totengräberin und ihr Ring [The Hardworking Female Gravedigger and Her Ring], 2020 © MAK/Georg Mayer
MAK Exhibition View, 2023 HARD/SOFT. Textiles and Ceramics in Contemporary Art Dorothea Tanning, Hôtel du Pavot, Chambre 202, 1970 © MAK/Georg Mayer
MAK Exhibition View, 2023 HARD/SOFT: Textiles and Ceramics in Contemporary Art Gelatin, Alle für Alle (Ferdinandeum) [All for All (Ferdinandeum)], 2021–2023 © MAK/Georg Mayer
HARD/SOFT. Textiles and Ceramics in Contemporary Art © MAK/Georg Mayer
MAK Exhibition View, 2023 HARD/SOFT: Textiles and Ceramics in Contemporary Art © MAK/Georg Mayer
MAK Exhibition View, 2023 HARD/SOFT: Textiles and Ceramics in Contemporary Art © MAK/Georg Mayer
Ulrike Müller, Rug (con tacón), 2018 © MAK/Georg Mayer
MAK Exhibition View, 2023 HARD/SOFT: Textiles and Ceramics in Contemporary Art © MAK/Kristina Wissik
Sonia Gomes, Casa alugada (Entre Pérola e Vergalhão series), 2022 Courtesy of the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York © Gui Gomes
Sonia Gomes, Casa alugada (Entre Pérola e Vergalhão series), 2022 Courtesy of the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York © Gui Gomes
Ingrid Wiener, Dr. Müllers Kabelfrühling [Dr. Müller’s Cable Spring], 2009/10 Courtesy of Charim Galerie © Georg Petermichl
Ann Muller, Die fleißigen Totengräberinnen und ihr Werkzeug [The Hardworking Female Gravediggers and Their Tools], 2020, exhibition view, [beneath bottles—Fledermaus in Bar du Bois], Angewandte University Gallery Heiligenkreuzerhof, Vienna, 2020 © kunst-dokumentation.com/Manuel Carreon Lopez
Ann Muller, Die fleißigen Totengräberinnen und ihr Werkzeug [The Hardworking Female Gravediggers and Their Tools], 2020, exhibition view, [beneath bottles—Fledermaus in Bar du Bois], Angewandte University Gallery Heiligenkreuzerhof, Vienna, 2020 © kunst-dokumentation.com/Manuel Carreon Lopez
Dorothea Tanning, Hôtel du Pavot, Chambre 202, 1970 © The Estate of Dorothea Tanning/Adagp, Paris; crédit photographique: Georges Meguerditchian – Centre Pompidou, MNAM-CCI /Dist. RMN-GP; réf. image: 4N08278; diffusion image: l’Agence Photo de la RMN
Dorothea Tanning, Hôtel du Pavot, Chambre 202, 1970 © The Estate of Dorothea Tanning/Adagp, Paris; crédit photographique: Georges Meguerditchian – Centre Pompidou, MNAM-CCI /Dist. RMN-GP; réf. image: 4N06753
Rosemarie Trockel, MADE IN WESTERN GERMANY, 1987 MAK, T 11609 © MAK/Georg Mayer
Nilbar Güreş, Red, Old Woman, Yellow, Black Eyes, Brown, Pride Belt, Blue, Drilled Ears, Silver, Carpet Seeds, Blue, Teenage Acne, 2014 MAK, GK 669 © Martin Janda
El Anatsui, Terra Firma, 2020 Courtesy of El Anatsui and October Gallery, London © Jonathan Greet
Goshka Macuga, Who Gave us a Sponge to Erase the Horizon?, 2022 2 Courtesy of Galerie Rüdiger Schöttle and Goshka Macuga © Goshka Macuga, VG Bild-Kunst, Bonn, 2023
Ranti Bam, Ifas, 2023 Exhibition view, Liverpool Biennial 2023 Courtesy of Liverpool Biennial © Rob Battersby
Jonathan Meese, DR. KÜRBISSERL STEHT IMMER UM HIGH NOON AUF! [DR. PUMPKINY ALWAYS RISES AT HIGH NOON!], 2020 Courtesy of Galerie Krinzinger and Jonathan Meese © Roman März
Dorota Jurczak, Beat, 2023 Courtesy of KIN Brussels and Dorota Jurczak © Useful Art Services
Klára Hosnedlová Untitled (from the series To Infinity), 2023 Exhibition view To Infinity, Kestner Gesellschaft, Hannover, 2023 Courtesy of the artist and Kraupa-Tuskany Zeidler, Berlin © Zdeněk Porcal – Studio Flusser
Verena Dengler, Sponsors, 2001–2014 MAK, GK 666 © MAK/Georg Mayer